A unique and powerful Plug-In to increase loudness, without sacrificing sonic quality or dynamic range. Add power and presence to your mix without the pumping of compression, or use on individual channels to bring them forward and add weight. Perfect to help vocals cut through the mix.

Developed by Sonnox, the Oxford EQ plug-in for UAD-2 and Apollo interfaces is based on the EQ section of the iconic Sony OXF-R3 console. Introduced in the early ’90s, this console is regarded as the pinnacle of modern digital mixing console design. The Oxford quickly found favor with a range of. Sony Oxford Elite Native VST Bundle Sonnox - Inflator 1.5.1 - Limiter - R3 Dynamics - R3 EQ - Reverb - Transmod (win x86 and x64).rar 10 torrent download locations. Picktorrent: sonnox oxford inflator - Free Search and Download Torrents at search engine. Download Music, TV Shows, Movies, Anime, Software and more.

Both are fantastically useful processes but it would be pointless to try to decide which one comes out on top, as they are so different, both in operation and in their results. With the Sonnox process, the result is not unlike varying the distance between mic and drums: you can ‘zoom in’ to get hard attacks with moderate room ambience, or you can pull back to get a more roomy sound with less of that ‘in your face’ drum impact, but without losing detail or crispness.

(Sony Oxford) - Sonnox Ltd. Has evolved out of Sony Oxford, which in turn traces its history back to a group of five dedicated audio professionals that first worked together in the early 1980s.

The limiter includes a unique Enhancement slider that increases subjective loudness and warmth in a way that sounds not unlike tape saturation. The reverb takes an algorithmic approach and, to my ears, delivers the type of sound you’d expect from classic hardware reverb units by the likes of Lexicon, Klark Teknik and AMS, yet without imitating any of them specifically. It has separate control sections for the early reflections and reverb tail, and comes with a useful library of presets covering everything from ambience to cathedrals. The control section strikes a good balance between flexibility and ease of use, and the CPU load is far less than for a convolution reverb. The one Sonnox plug–in we haven’t yet reviewed is Transient Modulator, so I’ll take a more detailed look here.

A fast rise time ensures that no transient goes unnoticed, while increasing the value allows shorter transients to be ignored, leaving only longer ones to be subjected to processing. In practice, this seems to be very close to the way a compressor’s attack time control affects the side–chain performance. Dead Band Value is a less familiar parameter, apparently intended to enhance the contrast between dynamic events.

Like SPL’s Transient Designer, Transient Modulator is a dynamics processor that reacts to the transient content of a signal rather than simply to its level. This approach allows the user to process dynamic material, such as drum parts, to enhance the attack of the drum hits or to push them back in the mix to soften over–aggressive attacks. In other words, the process can be used both to bring out and to suppress the transient elements of sounds. Furthermore, by enhancing the attack of a sound and then dropping the overall level, the original impact can be maintained while suppressing room ambience and drum ring. There are several other plug–in versions of this effect, but Sonnox’s implementation is, as ever, unique in several respects.

At the same time, work was started on the infrastructure for an e-commerce scheme that would become instrumental for sales and registration of the new software products. In September 2002 the CD boxed versions of the OXF-R3 EQ started selling around the world. This was followed by a port of the EQ to TC Works PowerCore, a version of the OXF-R3 Dynamics section, and then two newer plug-ins (the Inflator and the TransMod), which didn't feature prominently in the Oxford console and needed significant re-working for the plug-ins market. These early products were followed with a Reverb and a Limiter, and the platform base was broadened to include native hosts such as VST and Audio Units. By 2006 this plug-ins software initiative was operating as an almost self-contained business unit within Sony. To stimulate the business and allow it to thrive, the business unit was spun out of Sony in April 2007 and became a new and independent Company called Sonnox Ltd. Looking to the future, Sonnox is committed to expanding its plug-ins business with frequent introduction of new products and support for a wide range of platforms.

We take a no-compromise attitude to our designs. We put extreme care into the quality, the functionality and the performance; we agonise over the user interface; we test, test and re-test; and we listen to feedback from our customers. We take great pride in our after-sales support. We want to provide you, the audio professional, with the innovative tools you need to undertake your job with more creativity, more flexibility and more efficiency. Our pedigree, for want of a better term, is the high end recording studio where quality is crucial.

This could be valuable on acoustic guitars that have been recorded using aggressive piezo pickup systems, but it also works on some bass guitar sounds, where the overdrive function can also be used to warm up sterile sounds. The designers even claim that the plug–in can be useful for treating vocals, where negative ratios can be used to reduce the effect of popping. It can also be used for processing stereo mixes, though some care has to be taken in this application, especially at the mastering stage. From my experiments so far, it’s worth trying Transient Modulator in all kinds of different applications, because you often get better or more interesting results than you might imagine, but I still found the most immediate benefit was in improving slightly woolly-sounding drum recordings, where the audible benefits are very obvious.

The EQ also features 4 different selectable EQ types that cover most of the EQ styles currently popular amongst professional users, including some legacy styles which are renowned for their artistic capability. The use of novel coefficient generation and intelligent processing design provides unparalleled performance that surpasses analogue EQ in both sound quality and artistic freedom. This plug-in may well provide all the EQ you ever needed. The Oxford Inflator ( 1.7.1) is a unique process that can provide an increase in the apparent loudness of almost any programme, without obvious loss of quality or audible reduction of dynamic range, yet avoiding damaging increases in the peak level of the signal.

Cons • Somewhat costly for semi–pros. Summary These plug–ins were impressive when they were first launched for Powercore and TDM, but they are available to a much wider range of users now that they have been ported to the most common native formats. As with most really high–quality plug–ins, they aren’t cheap, but then quality rarely is. All contents copyright © SOS Publications Group and/or its licensors, 1985-2018. All rights reserved. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. Ich will keine schokolade ich will lieber einen mann.

There’s a new look and a new home for Sony Oxford’s suite of plug–ins, but the best news of all is that they are now available in VST and Audio Units formats. We have already covered most of the Sony Oxford range of plug–ins in Sound On Sound, and they’ve received uniformly excellent reviews. Recently, the software division of Sony that created these plug–ins have executed a management buyout led by Rod Densham, now MD of the new enterprise, an independent company trading under the name of Sonnox. The processors have been renamed the Sonnox Oxford Plug–ins, and new plug–ins are in development.

When driven harder, Inflator delivers tube-like musical warmth and provides the ‘sonic glue’ you need to gel your mix together! “Inflator is a rare Plug-InI can’t live without it. It simply makes everything sound better.” “Just the right amount of Inflator will breathe life into anything you run through it!

The interface is visually similar to that of other Sonnox plug–ins, with only one plug–in window, and because of the relatively small number of controls, it occupies little screen real-estate. The native version is protected using an iLok key. As far as I can work out, the transient modulation process looks at the ‘rate of change’ of the input rather than the instantaneous input signal level, as a standard compressor would do. Like a compressor, Transient Modulator has a Ratio control, but in this case it can go to both positive and negative values, where negative values denote gain reduction and positive values gain increase. The Overshoot Value control is roughly analagous to a compressor’s Attack control (but on the processing side rather than the side–chain detecting side) so that at low settings only the start of the transient is processed, while longer settings extend the processing further into the beat. Very short settings can bring out instruments such as bells without significantly changing the sound of drums playing at the same time, though in a typical mix, I found that settings from around 50 percent upwards were usually the most effective. A vertical gain reduction meter at the centre of the plug–in window gives an indication of how much dynamic processing is taking place and whether transients are being enhanced or suppressed.

I was very partial to the UAD Cambridge EQ graphical display, This has all that with famous Sonnox sound. Great a addition! Oxford EQ The Oxford EQ is the EXACT algorithm as the Sonnox version. After speaking with the East Coast regional manager of UA, I learned that UA didn't market this plugin to people that already own the Sonnox version.

As with all the Sonnox plug–ins I’ve tried so far, this one exudes class and is a truly professional processing tool. I’ve used them all for serious recording projects and they definitely deserve a closer look, especially now that they’re available for native systems and not just tied to speciality DSP platforms. The EQ is one of the best I’ve come across, as is the comprehensive dynamics section, but the more specialist Inflator and Transient Modulator are great examples of non–mainstream processors that can really save the day in a difficult situation. Similarly, while there are loads of reverb plug–ins available, the Sonnox model has a very classy sound with a character that’s different to a typical convolution reverb. If any plug–ins deserve the ‘Professional’ suffix, these ones do. Sonnox Oxford Plug–ins pros • True to the Sony hardware (where applicable). • High–quality sound.

The Inflator is a unique process that can provide an increase in the apparent loudness of almost any programme, without obvious loss of quality or audible of dynamic range, yet avoiding damaging increases in the peak level of the signal. Resident evil 2 claire iso. The inflator process can also bring power, presence and warmth to programme material and even provide headroom overload margin above digital maximum with a subtlety and musical character reminiscent of tube systems. Use the Inflator to produce louder mixes than you thought possible without overloads or compression pumping, or use it to add natural warmth and character to acoustic or jazz mixes Related Torrents torrent name size files age seed leech.

The Inflator is a unique process that can provide an increase in the apparent loudness of almost any programme, without obvious loss of quality or audible of dynamic range, yet avoiding damaging increases in the peak level of the signal. The inflator process can also bring power, presence and warmth to programme material and even provide headroom overload margin above digital maximum with a subtlety and musical character reminiscent of tube systems. Use the Inflator to produce louder mixes than you thought possible without overloads or compression pumping, or use it to add natural warmth and character to acoustic or jazz mixes Related Torrents torrent name size files age seed leech.

It takes just a little experimentation to get familiar with the controls, but this isn’t a difficult plug–in to use and the results can be exceptional. It’s also worth trying on non–percussion instruments that have a well–defined attack, such as guitar, where the process can be effective in improving definition or taming excessive string attack.

If you work mainly with off–the–shelf drum loops or instrument samples that are already processed to perfection, Transient Modulator may be of less use to you than if you are processing real drum and percussion recordings, though there’s no inherent reason not to use it with samples if you like the results. The process is also equally as applicable to electronically generated percussion sounds as it is to acoustic drums, and also works on non–percussion instruments providing they have a well–defined attack character. If ‘real’ drums feature heavily in your work, Transient Modulator is a very desirable tool for polishing those sounds without destroying their inherent character. The longer I work with this plug–in, the more it grows on me, and it genuinely offers something that no other competing product does.

Very good Oxford Native $200 Oxford TDM - AAX $350 Oxford Ua $299 The price is HIGH, i agree, but shoulndt be a surprise to anyone. I think in the future there will be an Oxford bundle at a better price.

The Oxford EQ also features four different EQ curves that cover a broad array of styles, including some legacy styles which are renowned for their artistic capability. The use of novel coefficient generation and intelligent processing design provides unparalleled performance that surpasses analogue EQ in both sound quality and artistic freedom. The Oxford EQ truly is four equalisers in one plug-in and will provide all the EQ you’ll ever need! Features • Fully 64-bit compliant • 5 band fully parametric EQ • Variable HF & LF filters up to 36dB/Octave • Algorithm taken directly from the Sony OXF-R3 • Four different EQ types in one plug-in • Fully de-cramped HF response • A / B switches (automatable) • Ultra low noise and distortion Oxford Dynamics The Oxford Dynamics plug-in is modeled on the extremely flexible and capable unit used in the OXF-R3 professional mixing console. Resulting from many years research into professional dynamics applications, it offers separate Compress, Limit, Expand, Gate and side chain EQ functions, with full independent control of all parameters. Features such as selectable time constant curves and variable soft compress functions allow the user to confidently tackle all common uses of compression, from subtle unobtrusive level control and mastering functions to the production of great artistic effects. The use of a feed-forward architecture with logarithmic side chain processing, making use of look-ahead techniques, ensures exemplary sonic characteristics and dynamic accuracy, with an artistic capability simply unavailable from other single units, analogue or digital.