Book A Piano Tuning Now What's My Piano Worth? How Old Is My Piano? A & S Nordheimer Co. Nordheimer Piano Company was founded in 1844 in Toronto. The original company was involved in retailing offering music books, sewing machines, sewing supplies and square grand pianos.

By the 1930s onward, tiny baby grand pianos, like the tiny spinet upright piano, continued to be popular in the modern American home as people moved into smaller houses and apartments. These tiny pianos were often referred to as “Apartment Size” baby grand pianos, sometimes measuring as little as 52 inches long! During the mid to late 19 th Century, most major manufacturers were building organs for home use. These were commonly referred to a “Parlor Organs”, “Reed Organs” and “Pump Organs”. These organs were operated via pumping of large foot pedals which would force air across a bank of reeds. Early organs were fairly basic in design and appearance, but the organs built in the last quarter of the 19 th Century were some of the most elaborate and lavish instruments money could buy. The organs built during this era often had very high backs with carved panels, shelves, mirrors, etc.

Legacy Heintzman Pianos Year Serial No Year Serial No Year Serial No Year Serial No 1867 1150 1910 1400 1911 1700 1912 1 2300 1913 1 3900 1914 1 7510 1915 1 7580 1916 1 8600 1917 1 9700 1918 1 1 1 1 1 1 1 1 1 1 1 1 1 98027.

Here are some samples photos of this bridge. The Gerhard/ Nordheimer lines were manufactured in the traditional way, with the nickel plated pressure bar, instead of the casted agraffe bar. Also, these two lines would not have been fitted with the upright sostenuto assembly.

I would actually be curious to know when (if at all) Nordheimer made good quality pianos. I noticed that in Larry Fine's piano buyer on page 48 he doesn't list Nordheimer as a brand notable for considering in terms of older higher quality pianos from the past (the early 20th century) and I would like to know if there is a reason for this. Did Nordheimer build good pianos? Would anyone know which serial numbers might be good to look for? Thank you, Mike (ad) Piano & Music Accessories Re: Nordheimer.

The Nordheimer Piano & Organ Company was established by brothers Samuel and Abraham Nordheimer in 1844. The firm was located at 122 King Street, Toronto. For the first 2 decades, the firm worked as importers and retailers of pianos, organs and melodeons. In about 1866 they built their first pianos with much success. Nordheimer continued to grow and flourish during the rest of the 19th Century, building a full line of uprights, squares, and reed organs. In 1886, The Nordheimer Brothers went into partnership with of Toronto and opened the Lansdowne Piano Company, Ltd. In 1890, Nordheimer built a new, state-of-the-art factory in East Toronto.

So think of it like these two lines did not have all the options that the Heintzman & Co. The production values would have been the same; it would have been the same workforce that built the instruments. I have a Nordheimer grand here from 1943, and the quality of build is the same as the 20’s. The quality of piano building in Canada began to drop in the 50’s with the influx of the first Japanese instruments to land here. It is always nice to find an A & S Nordheimer, (made by the two brothers Albert and Samuel), but these are a rare commodity now-a-days. This was a very early company (1844). Nordheimer is the oldest name in Canadian music history.

With the radio and photograph being popular and inexpensive means for home entertainment, the high-priced piano had become somewhat of an unaffordable luxury in the American home. American piano manufacturers suffered greatly during the Great Depression, and builders scrambled to find a way to save the industry. By this time the large full-size upright piano was being discontinued for smaller, less expensive and more “modern-looking” instruments with streamlined design. Shortly after the Great Depression hit, the piano industry introduced the “Spinet” piano, which was basically an upright piano of very small proportions – often standing no more than 36 inches high! The spinet piano took the public by storm, and all major manufacturers began producing them.

A Heintzman & Co. Waltz was written under a pseudonym by J.B. Glionna in 1899; there is also a Heintzman & Co.

Because of their age and place in history, most melodeons are of museum caliber today and deserve the finest restoration and preservation possible. Upright pianos built in England during the 19th century were some of the most lavish and beautiful pianos ever built. American and other European manufacturers held most of patents that aided in the piano’s evolution, and they were taking great strides in design and development. Most English piano builders seemed to stay several decades behind America and the rest of Europe in progress and evolution, not fully catching up until just before the turn of the century.

Here's a summary of what I think can be concluded from the above quote from wikipeida: 'Nordheimer' name brand: before 1927: of the highest quality after 1927: 'Heintzman & Company' brand pianos: best quality pianos 'Gerhard Heintzman' brand pianos: second-best level of quality pianos 'Nordheimer' brand: the third-best level of quality. Is my conclusion incorrect?

Gerhard Heintzman, who was originally a cabinet maker that switched over, there is not much known about him, even from the remaining members of the Heintzman family that I know.

In the 1920s (mikes note: 1927), when many Canadian piano manufacturers were struggling, Heintzman & Co. Also took over the Nordheimer Piano Co, and in later years produced pianos under the Nordheimer name. Over the years, Heintzman produced pianos were sold under several brands names, and Heintzman also sold pianos produced for them by other piano manufacturers. Heintzman's top pianos were produced under the 'Heintzman & Company' brand, with the 'Gerhard Heintzman' brand being next, then the 'Nordheimer' brand. Brands that were produced for them, and sold with a 'From Heintzman & Company' decal were Gerhard, Weber, Stevenson. And so, if this information is correct, I suppose one would conclude that after 1927, the Nordheimer piano was not the best piano that Heintzman made - its quality level was two steps below 'Heintzman & Company' brand pianos.

I would not discard this one, but hire a local technician to inspect the instrument for present mechanical condition and then local market value. Send me an email with me your location in Canada and I might have a colleague in your neighbourhood. Do you find this post useful?

I recently acquired a Heintzmen upright Piano from an relative whose father had bought it new. They said it was an 1893. I am trying to find out its age and possible value but I am having a very hard time determining the serial number. It could be 37821 or 3784.

In 1890, Nordheimer built a new, state-of-the-art factory in East Toronto. In 1927, Heintzman purchased the Nordheimer name and continued to produce Nordheimer pianos until the 1960’s.

Also, these two lines would not have been fitted with the upright sostenuto assembly. So think of it like these two lines did not have all the options that the Heintzman & Co. The production values would have been the same; it would have been the same workforce that built the instruments. I have a Nordheimer grand here from 1943, and the quality of build is the same as the 20’s. The quality of piano building in Canada began to drop in the 50’s with the influx of the first Japanese instruments to land here. It is always nice to find an A & S Nordheimer, (made by the two brothers Albert and Samuel), but these are a rare commodity now-a-days. This was a very early company (1844).

Gerhard Heintzman, who was originally a cabinet maker that switched over, there is not much known about him, even from the remaining members of the Heintzman family that I know.

There were a limited number of grand pianos built during the early 19 th century, but they were few and far between. By the late 1860s and early 1870s, conventional grand piano models began to appear in the sales catalogs of most manufacturers, but were still dominated by the selection of square grands available. These mid-19 th entury grand pianos were rarely less than six feet long, and were usually very massive and striking in appearance.

In the 1920s (mikes note: 1927), when many Canadian piano manufacturers were struggling, Heintzman & Co. Also took over the Nordheimer Piano Co, and in later years produced pianos under the Nordheimer name. Over the years, Heintzman produced pianos were sold under several brands names, and Heintzman also sold pianos produced for them by other piano manufacturers. Heintzman's top pianos were produced under the 'Heintzman & Company' brand, with the 'Gerhard Heintzman' brand being next, then the 'Nordheimer' brand. Brands that were produced for them, and sold with a 'From Heintzman & Company' decal were Gerhard, Weber, Stevenson.

The Nordheimer Piano & Organ Company was established by brothers Samuel and Abraham Nordheimer in 1844. The firm was located at 122 King Street, Toronto. For the first 2 decades, the firm worked as importers and retailers of pianos, organs and melodeons.

The Heintzman & Co. Line of instruments were usually the uprights and grand’s produced with the patented agraffe bridge. This was a very expensive way to cast a piano plate, and then drill each hole at 7 degrees off TDC. Here are some samples photos of this bridge. The Gerhard/ Nordheimer lines were manufactured in the traditional way, with the nickel plated pressure bar, instead of the casted agraffe bar.

Even if you find a serial number, many piano manufactures have little or no info available on when pianos were made. If you’d like to find out more about your piano, we recommend contacting your local Piano Tuner and schedule your next Piano Service. An experienced Piano Tuner can provide excellent insights on the pianos age based on various aspects; the type and style of mechanics used, the body shape and design, the condition of the instrument as well as inscriptions and markings found throughout the piano. Yes, but there is no fixed formula that connects the age of your piano with a specific value. Several factors are considered when valuing the monetary worth of a second-hand piano including condition, quality, tone size, brand etc. A clear rule of thumb is simply that “older” does not equate to “more valuable” Because unlike a piece of furniture, a piano is only valued on it’s instrument worth (how does it sound, respond and perform etc) and holds no “antique” value. For this reason it’s considered that generally speaking a newer piano would be in better condition and therefore play better and be worth more than it’s older equivalent.

The cabinet is the typical style found in instrument of the Victorian age; two inset filigreed panels on the front board, and the detailed front leg with the piano stool all in mahogany or walnut. I have seen both woods cut in this style. Alif laila tv serial full episode free download. The stool that is painted white appears to have a broken stem so it does not operate correctly or perhaps it is screwed down all the way. Difficult to set a value for this type of instrument; some will see value in this one and others will not. For the most part the sentimental and family history of purchasing this instrument and 120 years later having it with the original owners family carries more value than the financial values.

The Pierce Piano Atlas, 12th Edition now in hardcover format, provides a wealth of information about the piano manufacturing industry. Over 12,000 piano names are included, some dating back to the early eighteen hundreds. This guide provides references to serial numbers, dates of manufacture, factory locations, a brief history of many manufacturers and other pertinent information. The Piano Book is the bible of the piano marketplace. An indispensable resource to buyers and owners of pianos, amateur and professional pianists alike.

These pianos are generally not considered to be “antique” pianos, but they are vintage. The “Golden Age” of piano building in America reached an end by the time the Great Depression hit. After 1929, American piano sales plummeted, never again to reach the volume sold during the ‘teens and ‘twenties.

Heintzman & Co. The Canadian Encyclopedia (accessed August 16, 2018). Kallmann, Helmut and Wardrop, Patricia. Heintzman & Co.

★★★★★ Highly Accurate & Reliable. Data confirmed by manufacturer and/or multiple dependable sources. A specific year is always provided.

Several factors are considered when valuing the monetary worth of a second-hand piano including condition, quality, tone size, brand etc. A clear rule of thumb is simply that “older” does not equate to “more valuable” Because unlike a piece of furniture, a piano is only valued on it’s instrument worth (how does it sound, respond and perform etc) and holds no “antique” value. For this reason it’s considered that generally speaking a newer piano would be in better condition and therefore play better and be worth more than it’s older equivalent.

And so, if this information is correct, I suppose one would conclude that after 1927, the Nordheimer piano was not the best piano that Heintzman made - its quality level was two steps below 'Heintzman & Company' brand pianos. Here's a summary of what I think can be concluded from the above quote from wikipeida: 'Nordheimer' name brand: before 1927: of the highest quality after 1927: 'Heintzman & Company' brand pianos: best quality pianos 'Gerhard Heintzman' brand pianos: second-best level of quality pianos 'Nordheimer' brand: the third-best level of quality.